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CARLY TREECE
ARTIST · CURATOR · CULTURAL WORKER

Mvskoke artist and curator working across contemporary art, exhibition-making, public art, and collaborative projects.​​​

Tulsa, OK · Mvskoke Nation

SELECTED WORK

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CURATORIAL WORK

Mvskokvlke:Road of Strength

Mvskoke Waters Gallery

December 2025-March 2026

ABOUT

Carly Treece (she/her) is a multidisciplinary Mvskoke artist and curator based on the Mvskoke Nation. Her work explores relationships to land, memory, sovereignty, and ancestral knowledge through painting, curatorial practice, and community-centered projects.

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CURRENT

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We are the Keepers

Artist, Group Art Exhibition
Arts Connect

Topeka, KS

Aug 7- September 26

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Visualizing Indigenous Florida

Curator
Amelia Island Museum of History

Amelia Island, FL

August 21st  - October 5th

Visualizing Indigenous Florida is a collaborative project with the University of North Florida that brings together seven Muscogee, Seminole, and Miccosukee artists to reimagine representations of Indigenous Florida through contemporary Indigenous perspectives. Curated by Carly Treece in collaboration with Dr. Denise Bossy and Dr. Keith Ashley, the project centers Indigenous artists, knowledge, and perspectives in telling the histories of Florida and its Native peoples.  Following its opening at the Amelia Island Museum of History, the project will travel to museums, universities, and cultural institutions across the United States.

UPCOMING

Still Sovereign: Land, Law, Memory

Mellon Curator-in-Residence
Oklahoma Center for Humanities

101 Archer Gallery

Tulsa, OK

September 4th -November 21st

LEARN MORE

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2026 International Conference of Indigenous Archives, Libraries, and Museums (ATALM)

 Speaker Session 209-Visual Sovereignty as Antidote to Colonial Narratives: A New Public Artwork Series with Dr. Denise Bossy

This session unveils a new series of public-domain artworks created by Seminole, Miccosukee, and Muscogee artists to replace flawed 16th-century Théodore de Bry’s engravings with accurate Indigenous representations. By showcasing the collaborative process between artists and Tribal Historic Preservation Officers (THPOs), presenters demonstrate how public-facing art can upend colonial narratives and promote visual sovereignty. Participants will be guided through the new collection and provided with full, copyright-free access to the pieces for future reproduction.

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Memory and Connection on the Mother Road

Co-Curator

NYU Tulsa

36 E. Cameron

Tulsa, OK

October 2nd - November 30th

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Artist Residency

Blue Mountain Center

Blue Mountain Lake, NY

October 7th - October 21st

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